beckycloonan:

tatterhood:

Save the viking goats!!!

Johanna Thorvaldsdóttir’s Icelandic goat farm (Háafell) is facing foreclosure in September, resulting in the entire goat flock being butchered - unless enough funds are raised to save it!

There are less than 820 Icelandic goats in the entire world - they are an endangered species. Almost half of them will be lost if this farm is not saved. I visited Háafell 2 years ago and every goat I draw is rooted in this place. Any little bit helps :)

Some pretty cool perks (that tote bag, adorable!) but more than that there is a good cause behind all this. How many videos of screaming goats have I lost my shit over? The Icelandic Goat is a very cool breed. Time to give a little back I think.

mulatoomcmxci:

steppauseturnpausepivotstepstep:

babybutta:

yarrahs-life:

high-power-prolific:

thehereticpharaoh:

People really don’t believe Ancient Egyptians were ethnically African?

They referred to themselves, not as ”Egyptians” (a Greek term) , but as ”Kemmui’’, meaning, ”the blacks”.

The country itself they called, Kemet, or black nation.

'Kem' is the term for black in the ancient Egyptian language. It is represented in hieroglyphs by a stick charred at both ends.”

"km.t, the name of Ancient Egypt in Egyptian; Egypt (Coptic: Kemi)

r n km.t, the native term for the Egyptian language

(Ref: The Egyptian Hieroglyphic Dictionary, Vols 1&2, E.A. Budge, Dover.) 

Note: words inside brackets are the determinatives or word classifiers along with their English meanings.

Kem, kame, kmi, kmem, kmom = to be black 

Kememu = Black people (Ancient Egyptians) in both Ancient and modern Egyptian (Kmemou).

Kem [khet][wood] = extremely black, jet-black

Kemet = any black thing. Note: “t” is silent - pronounced Kemé

Kemet [nu][community, settlement, nation] = Black nation = Ancient Egypt.  

Kemet [Romé][people] = Black people. Ancient Egyptians. 

Kemit [Shoit][books] = Black books, Ancient Egyptian literature.  

Kem wer [miri][large body of water] = The Great Black sea (The Red sea). This sea is neither black nor red, this is in reference to which nation, Black or Red, at a particular time, controlled this body of water. 

Kemi fer = Black double house; seat of government. Note: by reference to Wolof again, we know that to make a plural of per or house, the “p” becomes an “f” or fer. Thus fero=great houses (double), it is not pero as Budge writes.

In Ancient Egyptian, the ordinary adjective always follows the noun it modifies, whereas a sanctified adjective usually comes before its noun.  The sanctified adjectives are:

Kem —  Black

Suten -  Royal

Nter —-  Holy, Sacred

Examples:

Kem ti = Black image, sacred image : ti oubash = white image  

Kem ho = Black face/title of a god   : ho oubash = white face  

Kem ta = Black land, holy land        : Ta deshret = Red land (also; Ta Sett) 

This rule does not apply when Black is used as a noun-adjective of nationality:  

Hompt Kemet = copper of Black; Egyptian copper :  Hompt Sett = copper of the Red nations; Asiatic copper  

Ro in Kemet (page 416a) = speech of Black; mute ro n Kemet = word of the mouth of Black; the Egyptian language

Kemet Deshret = Black and Red; good and evil; fertile and barren, etc.; Duality  

Deshretu (page 554a,b) = red ones, red devils.  Used also to refer to the Namu and Tamhu; not a complimentary label. 

African Origins: 

The following Ancient Egyptian words acknowledge the origins of Pharaonic Egyptian civilization; 

Khentu Hon Nefer (page 554a) = founders of the Excellent Order. Budge: “peoples and tribes of Nubia and the Egyptian Sudan.” For “Hon” see page 586b. 

Hon Nefer (page 1024b) = Excellent Order

Kenus (page1024b) = mighty; brave (from Kenu, page 772a)

Ta Khent (page 1051b/page 554b) = land of the beginning.  

Eau (page 952b/page 17b) = the old country  

Ancient Egyptian’s Worldview:  

The Egyptian’s view of the world was the exact opposite of the current Western one. To the Egyptian, the top of the world was in the south (upper) towards the African interior, the bottom (lower) towards the north, hence upper and lower Egypt; upper and lower Syria.”

"Oh yes, the black soil business.

Most scholars outside the modern western cover-up establishment have rejected the false interpretation some have given to Kemet, ostensibly alluding the term Kemet to the alleged ”black soil”  of Egypt. There’s nothing in the term, outside the imagination of western myth-makers,  to suggest the Egyptians referred to the color of the soil or sand, rather than the people, in naming their country. Our position is consistent with the testimony of the ancient Greek writers, eyewitnesses who unanimously described the Egyptians as a black people, closely related to the ”Ethiopians”.”

And white Hollywood casts white actors and gives them tans.

*internal sobbing*

i will never not reblog this. i know too many people who for real dont think Egypt is a part of Africa.

KNOW YOUR HISTORY

Greek myths mention several Islands of Women, where Amazons lived without men, only consorting with neighboring colonies of males at certain seasons when they wanted to conceive their children. Taurus, Lemnos, and Lesbos were said to be such all-female societies. The Greeks apparently feared them. They said the women of Taurus sacrificed to their Goddess all men who landed on their shores; and the women of Lemnos had risen up against their husband and murdered all of them at once. The Greek writers seemed to have not doubt that women could destroy whole populations of adult males, and there was no effective defense against them.
Anonymous:  why do black people use you in the wrong context? such is "you ugly" instead of "you're ugly" I know u guys can differentiate, it's a nuisance

rsbenedict:

prettyboyshyflizzy:

you a bitch

It’s called copula deletion, or zero copula. Many languages and dialects, including Ancient Greek and Russian, delete the copula (the verb to be) when the context is obvious.

So an utterance like “you a bitch” in AAVE is not an example of a misused you, but an example of a sentence that deletes the copular verb (are), which is a perfectly valid thing to do in that dialect, just as deleting an /r/ after a vowel is a perfectly valid thing to do in an upper-class British dialect.

thenearsightedmonkey:

Dear Students,

Just black lines, one after the next.

You can do this!

Sincerely,

Professor Bootsy

nevver:

William Thomas Horton (1898)

mekkatwerk:

venticupofmeh:

Since everyone got a kick out of the barista texts posts, here’s part 2!

Part 1

OH MY GOD.

butchimightbe:

phoenixfloaz:

The Scully Effect

One of the most frustrating aspects of this scarcity is that we know just how significant an influence powerful female, scientist role models can have on young women.

Perhaps the most prominent example of this power has come to be known as the “Scully Effect.” Named for Special Agent Dana Scully, the medical doctor and FBI agent who was one half of the investigative team on “The X-Files”, the Scully Effect accounts for the notable increase in women who pursued careers in science, medicine, and law enforcement as a result of living with Dana Scully over the nine years “The X-Files” ran on Fox.

The show has been off the air for more than a decade. Yet the character of Dana Scully remains a powerful example of how a dynamic female character whose primary pursuit is science—not romantic relationships—can have a lasting impact on our culture.

— by Christopher Zumski Finke (x)

When people say that it’s not important to have mirrors of powerful oppressed groups in media…

realmonstrosities:

The Saiga lives in the Great Steppe of Eurasia, home of Attila the Hun and Gengis Khan.

These nomadic beasts divide their time between summer and wintering grounds, but their extraordinary schnoz is useful all year round.

In the dry, dusty summers, the nose helps filter out dust from the air. In the cold winter it serves to warm up the air before they breathe it in.

During the winter, males stop eating and spend all their time fighting over mates. Up to 97% of them may die out of sheer exhaustion!

…Image: Darwin Initiative/Seilov/Adriana Dinu

disneyconceptsandstuff:

James Lopez, a veteran Disney animator (The Lion King, Pocahontas, Paperman), is currently trying to raise money for his traditionally animated project Hullabaloo. Hullabaloo is a steampunk short film which Lopez is hoping will help save the cause of 2D animation, and possibly lead to a TV series or film. So, if you’re interested in badass steampunk ladies or traditional animation, may I recommend you give a dollar or two. Hullabaloo's IndieGogo page is over here, visit to donate and learn more! And I’ll conclude with the plot: 

Hullabaloo is the story of Veronica Daring, a brilliant young scientist who returns home from an elite finishing school to find her father—the eccentric inventor Jonathan Daring—missing without a trace! The only clue left behind points Veronica toward Daring Adventures, an abandoned amusement park used by her father to test his fantastical steam-powered inventions. There she discovers a strange girl named Jules, a fellow inventor who agrees to help Veronica in locating her missing father and discovering the secrets of his work.

Together, Veronica and Jules learn that Jonathan Daring has been kidnapped by a mysterious group of influential persons, who seek to use his latest invention for nefarious purposes. These villains are wealthy and influential and neither Veronica nor Jules can stop them openly. But determined to save her father and holding true to the family creed that technology should be used for the good of all, not the greed of some, Veronica assumes the secret identity of “Hullabaloo”, a goggled crusader who uses wits and science to combat evil and oppose the nefarious conspiracy that has taken her father.

septagonstudios:

Enzo Pérès-Labourdette

©id